Fulvio Fo (1928 – 2010)

Exactly 6 years today (17th November 2010)the great artist Fulvio Fo lost his battle to cancer and passed away in Rome.

He was a great man, who I had the privilege of meeting personally and work with during a ‘basic theatre course’ he held in the evenings in my high school in Sardinia.
Known to many as “animale teatrante e scrittore” (theatre animal and writer) he had a long career working in theatre and cinema mainly in Italy but also has some stunts abroad.
Born in Luino (a small place near Varese, in the north of Italy) in 1928 he was noble prize winner Dario Fo’s older brother.

fulvio_fo
He was a scenographer, theatre director in Turin and Rome and wrote several books too. In 1996 he moved to Sinnai, a village in the mountains just outside Cagliari, in Sardinia.
The following is a direct quote from Fulvio who wrote this a few weeks before he died:

“Quando arriverà il mio momento so che seguirò questa schiava-padrona con animo limpido, consapevole di potermene andare serenamente lasciando il mio riflesso, la mia impronta positiva sorridente di gioia illuminata e rassicurante”(Fulvio Fo).

This is my translation of the original Italian version above, although it does not sound half as poetic written in English:”When my moment will come I know I will follow this slave-master with clear spirit, aware that I will be able to leave serenely leaving my reflection, my positive and smiling mark with joy both illuminating and reassuring.” (Fulvio Fo)

 

 

The practical course I did with him in 2008 helped me immensely in winning over my timidness as at the end of it we did a live performance. During rehearsals he kept advising me: ‘speak slowly, make pauses and respect them. The pauses you make are just as important as the words you articulate’. If you think about this it is so true, one just needs to watch a speech from the best orator alive, Barack Obama, to realise the accuracy of Fulvio’s teachings. Pauses makes it sound as if you are stopping to think and give your words an air of importance.
Since that course speaking in public became much easier and the year after, when I got elected ‘representative of the students’ by my fellow school mates, I was able to chair school assemblies with an audience of a few hundred people without succumbing to nerves.
His kindness, good spirit and enthusiasm will always be remembered by those who were lucky enough to get to know him and I know I speak on behalf of everyone in the theatre group who in a short period of time learnt so much from him.

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